Pasadena Art dealer runs for Pomona City Council

Second Collector’s Conference veteran to seek high office
Ron Vander Molen, classic Collector’s Conference speaker and California art dealer who has been involved in the antique business for 25 years, is running for Pomona City Council District 6 (Frank’s! old neighborhood) on November 6th, 2012.
He was crowned the Pontiff of Plein Air in Collector magazine for his loyalty to California painting. He used to run the basement at Robbins Antique Mart as a furniture dealer in the 1990s. His tenure ended there when he and former owner Lisa Orr had a run-in.
He then became a high profile dealer on the second floor at the Pasadena Antique Center. He is also a part of the antique show circuit as a regular dealer at the Golden California Show and the Object Show in Glendale.
He was a regular Collector’s Conference attendee and at the last one under Frank’s! auspices, he won 150 $2 bills (which was also the last sighting of any giving away of any real money at any of Franks! events. They were replaced with the even more prestigious parchment certificates with gold seals. 
Vander Molen opened Art & Antiques on Lake in 2007 in Shauna Novotny’s old stomping grounds. He stocks the store with upscale California and American art, as well as European and Spanish antiques. It is located at 60 N. Lake Avenue in Pasadena.
He is a board member of “Friends of the Fox,” which is the Art Deco theater where Frank! was married. 
Vander Molen helped to fight to downzone Historic neighborhoods, establish a city-wide historic ordinance and establish Historic Districts. He is the past president and board member of Pomona Heritage, a 10+ year member of the Pomona Fairplex Association Member, a member of the Pomona Chamber of Commerce, a former Pomona Planning Commissioner and Chair Appointee of Mayor Norma Torres.
Glass dealer Laura Friedman ran for council
Vander Molen is not the first major political figure who has a strong association with the Classic Collector’s Conference. 
Laura Friedman, modern glass collector and expert, was a veteran speaker who is now the Mayor of Glendale.
By collectormagazine Posted in Art

jackie’s back, again!

Images of Jackie O. and JFK expected to rise in value after suicide of Mary
top JFK family photographer
The Kennedys are in the news again with the announcement that Mary Richardson Kennedy, the estranged wife of Robert Kennedy Jr., hanged herself on May 16th at the family’s 10-acre estate in suburban New York.

At the Los Angeles Modernism Show, Andrew Wilder offered a number of photographs of John F. Kennedy and Jackie O. taken by the unofficial family photographer Mark Shaw, who started out working at Life Magazine. These images are sure to soar in value now that the Kennedys are back in the news again.
Mary Richardson’s death, at age 52, came as a shock to some friends and family, even though the past two years had been undeniably tough ones. The couple was going through a divorce, and Mary had been charged twice with driving while intoxicated in 2010.

“Andrew Wilder was the photographer who became famous for his black and white images taken at Ianasport, said Wilder, owner of Svenska Mobler Gallery which has a location on La Brea in Los Angeles and in Chicago, Illinois.
After John F. Kennedy’s death, a selection of Shaw’s photographs were published as a best selling book, “The John F. Kennedy’s: A Family Album.” It was republished in 2000 with new additions, including never-before-seen color images.

Most recently, Mark Shaw’s images of the Kennedy’s were widely used in “Jacqueline Kennedy: The White House Years,” an exhibition of Jackie’s clothing which started at the Metropolitan Museum of Art, and traveled around the country to other museums.
Shaw began working for “Life” in 1952. In his 16 years with the magazine, he shot 27 covers, more than 100 stories, which included the magazine’s European fashion collections. As a leading fashion photographer, he also worked for Harper’s Bazaar and Mademoiselle. He was one of the first photographers to use color when shooting the runways and “backstage” at the couture shows.
Wilder had an exhibit of some of Shaw’s images at his Chicago gallery in 2004. The show sold out in less than two weeks. Subsequent exhibitions of these images in New York and Los Angeles were equally successful, and he even brought a few examples of Shaw’s work to the Los Angeles Modernism Show.
Cecil Stoughton was the official White House photographer while John F. Kennedy was in office. He took the only photograph ever published showing John F. Kennedy, Bobby Kennedy, and Marilyn Monroe together. Stoughton was present at the motorcade at which Kennedy was assassinated, as was subsequently the only photographer on board Air Force One when Lyndon B. Johnson was sworn in as the next President. His famous photograph documenting the event depicts Johnson raising his hand in oath as he stood between his wife Lady Bird Johnson and a still blood-splattered Jacqueline Kennedy.
It was Alan Stanley Tretick, a former Look magazine photographer who captured that great image of John F. Kennedy at the Resolute Desk with John Jr. peaking out of its “secret door.”

For more information on images by Shaw, contact Wilder at (323) 934-4452.
Kennedylayout

By collectormagazine Posted in Art

How to bargain with gypsies and get through customs!

Licata offers guided buying trips to Hungary

Members of the Red Hat Society or the Sisterhood of the Traveling Pants may want to consider making their next excursion a three-day safari to glamorous Hungary under the tutelage of Larry Licata of Wholesale Antiques in Pico Rivera.

Licata offers expert guided buying trips to Hungary and despite taking care of most of the details, there are still plenty of bureaucratic concerns especially regarding customs in both Hungary and the United States. That makes the price he charges of 15% off the top (of the total inventory) plus his travel and lodging expenses seem like quite a bargain, since he has personally filled over 150 containers and knows just where to go every step of the way.

“I take care of all the details…flight arrangements, airport transfers, currency conversion, van rental, logistics, loading, Hungarian customs, shipping, etc.,” he said. “You just show up and buy.”

While it might seem a little overwhelming for one, Licata recommends getting a little group together to share a container, which will reduce expenses and result in lots of inventory.

For those who follow the foreign currency market and are aware of the plummeting Euro, do not expect a great bargain because Hungary uses the Forint. 

“The dollar is quite strong now against the forint, but please check a currency converter on the internet,” said Licata.

All the buying is done in forints, so you can wire American dollars over to a local bank and exchange them for forints, bring cash and convert it at a local Hungary bank, or do what Licata does, bring cash and exchange it with a local money changer.

 

He starts by picking you up at the Budapest Airport and taking you to a good, clean hotel in the city. After breakfast, he picks you up on the rental van and the shopping starts right away. 

“We will be traveling in a clockwise direction from Budapest, passing through Vacs, Eger, Debrecen, Doboz and back to Budapest,” he explained. “We will be on the road for three days, sleeping in local hotels along the way.”

They don’t use the star system over there, but there are plenty of four-and-a-half goat rated hotels.

As they hit the cities, they will be stopping at vetted local dealers, farmers and gypsies to buy.

“These are the contacts that I have cultivated over the past decade and all are able to supply a variety of products at very inexpensive prices,” he said.

Airfare varies from $600 to $1,200 depending on which part of the United States you depart from, but the bulk of your money will be spent of the merchandise, shipping the container to the U.S., as well as things relating to Hungarian customs, which he estimates at about $2,000 (although this price is very high, please don’t misinterpret this to mean bribing government officials). This includes arranging for an empty container to be delivered to Licata’s central warehouse, Hungarian customs fees, documentation, permits, invoices, logistics and paperwork.

 

One thing the traveler will be responsible for is finding a local U.S. broker to handle U.S. customs. 

 

“If you have never done this, there is a lot of paperwork involved,” explained Licata. “We have been using Fedex and they seem to be the easiest.”

He added that customs expenses back here can vary. Although Licata’s last container only cost $700 to get through customs, it can be much higher depending on if they demand several “inspections,” all of which are done at the owner’s expense.

Shipping costs vary depending on the size and destination of the container. The range is from $6,000 for a 40’ container to the west coast to $3,000 for a 20’ container to the east coast. Licata will make sure the container is safely on its way; it takes between four and six weeks to arrive.

One of the big questions prospective travelers have is how much to spend on the merchandise for their container. Licata has spent as little as $11,000 on a 20’ container to a much as $45,000 on a 40’ container.

“I have personally filled over 150 containers and would not have done so if there was not a good profit to be made,” he said. However, he recommends that interested parties need to become very familiar with the type of items available and what they will sell for in their area back in the United States.  

“Spring and Summer is a great time to buy and the dollar is the strongest in Hungary that is has been in years,” said Licata.

For more information, contact Licata at (562) 301-2724.

By collectormagazine Posted in Art

foxfire test 3

The most sought-after item in the collection was her pair of famed Luxor No.6 flying goggles.
Worn by Earhart when she experienced her first crash in July 1921 while learning to fly with Neta Snook, the goggles still evidenced a cracked lens. The bidding opened at $10,000 and escalated to a final sales price of $17,775.
Also featured in the collection were 20 never-seen-before unpublished gelatin silver prints that were sold individually. The two photos in particular which captured the hearts of collectors were a silver gelatin print of Earhart, signed and inscribed by her and dated 1937. The photo snapped for $2,100. The second photo that tripled its high estimate was another photo of Earhart, signed and inscribed “To my friends of the radio audience.”

This image sold for $3,200.
Bidding for Clars auctions is available in person, by phone, absentee and live online at www.clars.com. To register to bid, call Clars at (888) 339-7600.

foxfile blog 2

The most sought-after item in the collection was her pair of famed Luxor No.6 flying goggles. Worn by Earhart when she experienced her first crash in July 1921 while learning to fly with Neta Snook, the goggles still evidenced a cracked lens. The bidding opened at $10,000 and escalated to a final sales price of $17,775.
Also featured in the collection were 20 never-seen-before unpublished gelatin silver prints that were sold individually. The two photos in particular which captured the hearts of collectors were a silver gelatin print of Earhart, signed and inscribed by her and dated 1937. The photo snapped for $2,100. The second photo that tripled its high estimate was another photo of Earhart, signed and inscribed “To my friends of the radio audience.”

This image sold for $3,200.
Bidding for Clars auctions is available in person, by phone, absentee and live online at www.clars.com. To register to bid, call Clars at (888) 339-7600.

By collectormagazine Posted in Art

mars

004

The most sought-after item

in the collection was her pair of famed Luxor No.6 flying goggles. Worn by Earhart when she experienced her first crash in July 1921 while learning to fly with Neta Snook, the goggles still evidenced a cracked lens. The bidding opened at $10,000 and escalated to a final sales price of $17,775.
Also featured in the collection were 20 never-seen-before unpublished gelatin silver prints that were sold individually. The two photos in particular which captured the hearts of collectors were a silver gelatin print of Earhart, signed and inscribed by her and dated 1937. The photo snapped for $2,100. The second photo that tripled its high estimate was another photo of Earhart, signed and inscribed “To my friends of the radio audience.”

This image sold for $3,200.
Bidding for Clars auctions is available in person, by phone, absentee and live online

Secrets

Masked men and pigeons
Keep the world safe and make some men rich

Although Richard Stengel, the editor of Time magazine, passed on choosing Wikileaks founder as Person of the Year, Julian Paul Assange is creating havoc not only in the State Department but for all those in the secrets business. He is breaking a taboo held sacred since the Sumerians invented Cuneiform five thousand years ago. He revealed written secrets; confidential cables never intended for public disclosure.
Secrets do not just concern the Pentagon, the hacker’s current target, but are an integral thread in the fabric of civilization; not only allowing governments to conduct business, defend against enemies, and negotiate peace treaties, but to help individuals to get medical treatment and in the confines of a therapist office, unburden themselves from the pressures of career, marriage, and parenthood. All with the assurance that their private thoughts will not be exposed.
Secrets come in many flavors. In some cases their revelation may cause an empire to fall, a treaty to disintegrate or simply momentary embarrassment.
The most innocuous form of secrets is associated with the craft of writing.
Modern literature is filled with examples of nom de plumes, which allow writers to venture into risky topics. The most famous pen name is Mark Twain, author of “Tom Sawyer,” and “Huckleberry Finn”. Samuel Langhorne Clemens also used the alias of Sieur Louis de Conte for his controversial examination of Joan of Arc.
Serious mathematician and logician Charles Dodgson, took cover under the name Lewis Carol when he wrote the children’s fantasy tale of Alice’s Adventures in Wonderland.
Not only have secrets protected the name of authors, but cities, countries and planets have benefited from identities remaining unknown.
The preeminent fictional character to use a secret identity is Jerry Siegel and Joe Shuster’s famous undocumented alien, Superman. So convincing is his portrayal of a mild-mannered reporter for a great metropolitan newspaper that he manages to fool the world by simply popping on a pair of black horn-rimmed glasses with clear lenses. His fictional counterparts resort to uncomfortable masks and cowls.

Mystery of Clark Kent’s glasses

Although Clark Kent has eluded scores of supervillians and nosy immigration officials since 1932, he is not the pioneer of exploiting the power of a secret identity.
It was Johnston McCulley’s Zorro, first appearing in 1919, who cast the template by which the superhero mold was set. McCulley had been a struggling hack writer for the Police Gazette, which masqueraded as a high-minded professional journal of interest to law enforcement. In truth, it was a shameless tabloid featuring lurid coverage of murders and glorifying Wild West outlaws. Its pages were splashed with engravings and photographs of scantily-clad strippers, gaudy burlesque dancers, and long-legged prostitutes. Every issue brazenly flamingoed on the jagged edge of late Victorian obscenity. It’s no wonder McCulley felt kinship with a hero who disguised the truth of who he was, for the writer himself was buried a dozen deep in his own secret identities, including: Harrison Strong, Raley Brien, George Drayne, Frederic Phelps, Walter Pierson, and John Mack Stone; and on special occasion, when wanting to express his womanly wiles, he wrote behind the literary skirts of Monica Morton and Rowena Raley.
Misguided amateur historians claim that Zorro’s rightful origins are indebted to the mid-evil bandit, Robin Hood.
While he and his conniving gang of “Merry Men” did use a variety of disguises to rob his innocent victims of their hard-earned capital, Robin Hood did not consistently maintain a specific secret identity. When brute force failed to secure the booty, his chief henchman, “Little John,” gleefully resorted to extortion and protection schemes. The poor, who they ostensibly served, were those who received payola for their cooperation and most importantly their silence when the overworked Sheriff of Nottingham followed up on the swath robberies Robin Hood cut through Sherwood Forest. If anyone was the rightful descendent of this 13th century crime boss’ legacy, it was the more compassionate, Al Capone, whose iron first terrorized Chicago in the 1920s. In the wake of the stock market crash in 1929, the Italian gangster was the first to open a soup kitchen. The destitute would line up around the block to receive a free hot lunch and merchants were ordered to give away groceries at Capone’s expense. There is no proof that Robin Hood did anything of the kind, but Zorro’s record of only punishing the corrupt is unblemished.

By day he plays the seemingly ineffectual socialite of Don Diego de la Vega (even the name suggests he’s a first class fob who couldn’t fight his way out of a crispy burrito with a ten-foot shillelagh).
As he serenades the sexy senoritas in the palatial haciendas of the Pueblo de Los Angeles in the Spanish colonial years, his dandified persona effortlessly glides throughout ranks of the corrupt aristocracy.
By night, donning the black cape and mask, he is transmuted into a stealthy figure, whose lightening rapier cuts at the heart of injustice as he emblazons his unmistakable trademark in three perfect strokes. The “Z”, as all he targets know, stands for Zorro.
Generations later, Batman is the 20th century resurrection of the spirit of the masked rider. Bruce Wayne, although not as hapless as Don Diego pretended to be, is a wealthy, yet unimpressive figure in the Gotham City skyline. The main contrasting feature between these dark nights is that while Don Diego is a cultivated aristocrat who can quote poetry and recite lengthy passages from Cervantes, secretly Bruce Wayne is an engineering genius. With minimal help, he manages to create an array of weaponry that puts him roughly on an equal footing with those who have actual superpowers.
Superman’s origins, if not more original, are at least more eclectic, but probably influenced by other characters also created by Johnston McCulley, which include: Black Star, The Mongoose, Thubway Tham, the Green Ghost, the Thunderbolt, and the Crimson Clown. Part of the creative mix had to have come from the towering literary figure of fantasy fiction and creator of Tarzan, Edgar Rice Burroughs, specifically his character of the immortal John Carter from Mars. The red planet is not exactly Krypton, but the metaphor is close enough.
The name itself, Superman, didn’t exactly start with Siegel and Shuster.
That accolade goes to the author of “The Gay Science,” Friedrich Nietzsche, also famous for his metaphysical proclamation that “God is dead.” His Übermensch is not a man with a body of steel but the possessor of an iron will, who uncompromisingly follows his own highly-developed sense of morality. Socrates, Jesus, Julius Caesar, Leonardo da Vinci, and Shakespeare were a few the German philosopher felt came closest to this ideal. There is nothing to suggest in any of the comic books, movies or television series that the Smallville resident is anything but an intellectual lightweight. It is only by the happenstance of Krypton’s mass relative to that of the Earth’s that he even has his powers. Were it not for the fact that his secret identity gives him incredible scoops and he can type 600 words a minute, he would have never kept his job at the Daily Planet. Rarely did any of his stories make it to the city desk without merciful copy editing by Lois Lane, who pulls his journalist derriere out of the fire hourly.
Kent isn’t the only superhero with ink in his veins. Green Hornet is the secret identity of fellow journalist, Britt Reid. Unlike Kent who never warranted a promotion, Reid worked his way to the top and is the publisher of the Daily Sentinel, which gives him more freedom to fight crime than Kent, who takes orders from tyrannical editor Perry White.
Although it may seem ironic, the practice of news gathering and its transmission are filled with secrecy. Terms like “off the record” and “deep background” are commonly used.
One of the most famous chroniclers of all time learned several lessons on the subject while on his little Asian holiday.
Marco Polo upon his return to Italy from his famous Chinese expedition in the 13th century revealed some of the cunning and brutal measures that his host Kublai Khan used in the administration of his immense information-gathering network that united China.
A combination of coded messages, subterfuge and misdirection allowed the grandson of Genghis Khan to keep the empire running with an efficiency rarely seen in the ancient world.
One of the first information magnates of the modern world, predating Joseph Pulitzer, was renowned for the miraculous ways he managed to get the most timely stock information to hungry traders.
While many of his competitors used the telegraph and the rails, Paul Julius Reuter went wireless! His technology was far more advanced; leveraging the earth’s magnetic field and sophisticated systems of landmark imagery and olfactory analysis. In other words—homing pigeons.
There was a 76-mile telegraphic gap between Aachen and Brussels, Belgium’s capital city and financial center. He used a fleet of 45 homing pigeons to bridge that gap, allowing his clients to use that secret information six hours ahead of his competitors who brought the quotes by train.
Trumping Reuter in the use of these birds for financial gain were the Rothschilds, famous for their far flung financial empire.
The most wily of them, Nathan, theorized that the outcome of the battle between Napoleon and Wellington at Waterloo would have a huge impact on European financial markets, particularly England’s.
This theory was not unique to Nathan, since the great European armies had been preparing for this Armageddon for quite some time. The only outstanding question was, “How could the Rothschilds’ capitalize on the outcome?”
Since his family already had a network of spies in both armies and local villages, he was well positioned to be one of the early recipients of the news. This wasn’t good enough for Nathan. He wanted an edge that would outflank his competitors; so he hired a secret squad of pigeoneers. As his bird air force stormed his London offices he learned that the ferocious Bonaparte had met his match in Wellington. Consequently Nathan knew the value of British securities was about to soar.
Simply buying them at the prevailing price would have been a massive squandering of the secret knowledge he paid so dearly to obtain.
In an ostentatious display of feigned panic, he started to sell the very securities that would soon double and triple their price.
His shaken competitors, not as cagey of chess players as he, followed his duplicitous example. Within the hour, the price plunged to almost nothing. The Rothschilds, through their various secret agents, scooped up the securities at fire sale prices. The next day, when the British government learned of their glorious Waterloo victory it became common knowledge to financial professionals. The value of British debt soared. Within that 24-hour window of opportunity, at the courtesy of his pigeon air force, the Rothschilds leaped ahead years in their quest for financial dominance of Europe. Some financial historians claim the Rothschilds increased the value of their portfolio twenty fold. All though that number remains in dispute, there’s no question that this legendary family owes a debt to their flying secret weapon.
However, there was never a more dramatic moment in the history of pigeon espionage than what occurred during the Franco-Prussian war in 1870.
Paris was under siege! Cut off from all supplies! Surrounded by the Prussian army. Not only were the Parisians dying from cholera, but they were so hungry they were forced to eat elephants from their zoo. But, worst of all, their spirit was decaying from lack of contact with the outside world.
Under the command of the Leonardo da Vinci of Paris, “Nadar,” they fought this crisis by secretly stowing pigeons away in hot air balloons. Not only was the renaissance man a master photographer of Paris and a caricaturist of world renown, but he was also the leading aeronautical expert of Europe. His credits include flying the largest balloon ever to be constructed, and he was one of the few to fly the first dirigible, predating Count Zeppelin by a half century.
When the pigeons returned to Paris, their tail feathers carried narrow cylinders fitted with tiny microfilm slides carrying hundreds of coded messages.
The most important message
While most of the information contained in those tiny specs was of a personal or military nature, the depravation of liberty forced some to consider the philosophical implications.
One of those messages expressed the earliest of thoughts of an artistic vision of a young French soldier from Alsace. It would be a shining symbol of what the Parisians had temporarily lost. The result of this image, burning in Lieutenant Bartholdi’s mind, would be of no small consequence, even though it would be sixteen years for it to come to fruition.
The pigeon flying this and a thousand other messages, Carlene, was colored with a white crown and a black scalloped collar.
Fortunately, the Prussian hackers, using rifles instead of laptops, failed to capture the vital information she carried.
Although they rained down a storm of lead on her, the two-toned bird dodged her way to the loft just before dusk, in time for the last pick up of the day. Her arrival was hailed by a flutter of brass bells and she was rewarded with her first meal in several days. The microfilm negatives, the size of pieces of confetti, were rushed to the postal headquarters for processing.
In a dark room, using a candle-powered magic lantern, the images were faintly projected on the whitewashed wall. Ciphers, using nothing more than handwritten code sheets and candles to see their blank forms, looked at what appeared to be random letters and turned them into Pigeon Post Telegrams. All of these messages were eventually put into a volume and are housed in France’s postal museum.
Although delivered like regular mail, these telegrams were received as if they were lightning bolts flung by Zeus.
The next morning, a Parisian family, who had been praying for a letter from their son, instead got one from his commanding officer. Although little consolation, Anton died bravely. As they read, and reread the 40-word message, another freedom fighter had also succumbed to a Prussian attack. A bullet fragment lodged near the heart, and like the advancement of the enemy soldiers weeks ago, it too became lethal. As the bells of the Notre Dame Cathedral struck the last gong of the morning, Carlene fell from her perch. She would never again know the breath of liberty she had helped bring to the citizens, not just to imprisoned Parisians that year, but to all of those people who sail into New York Harbor and have the privilege of catching a glimpse of the torch-bearing colossus that was once only the size of a grain of sand when she carried the embryo of its vision in her tail feathers.n

By collectormagazine Posted in Ephemera

Trunk Show in April

I hope all is well with you. We loved the Mad Men coverage in the December issue of the Collector.

I wanted to find out the protocol for listing an event in the Collector Magazine.

We have a ‘trunk show’ coming up in April, and I think your reader would like to hear about it.

This will be our 8th annual Trunk Show at the Wooden Duck Furniture Store in Berkeley, April 16-18, 2010. The event features our collection of over 1,000 original posters from Europe and the US. PLUS all of our new acquisitions hit the table there first, before we take them to Hillsborough or Modernism. We offer custom framing by museum framer Glenn Young of Artscapes Framing, as well as conservation consulting for posters.

Collectors LOVE this show because admission and parking are free. Also, because the Wodden Duck is HUGE, we get to spread out and feature our oversized posters, as well as some very special framed things, NONE of which fits into our typical 10 x 20 foot booth at shows. So, what can we do to get in the collector calendar for April?

Of course, as always, I have loads of high res photos if you feel like this warrants something more than a calendar listing.

www.thewoodenduck.com
www.vepca.com

Thanks for your help Frank!

Will we see you at the new show in San Francisco in March? The www.artinternationalfair.com show?

All the best-

Elizabeth Norris

VINTAGE EUROPEAN POSTERS
4200 Park Blvd., Suite 301
Oakland, CA 94602
510.530.3353
www.vepca.com
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